Moniozo - Toothless and Stitch apparently we’re trouble when we are toget her who knew shirt

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When Williams submitted potential designs to Cain, performers were immediately drawn to the Toothless and Stitch apparently we’re trouble when we are toget her who knew shirt moreover I love this designer’s slightly more messy twist on the vintage cheerleader ensemble. “It was very Americana, which is something that both Matthew and I were interested in,” Cain said. The varsity red centerpiece includes a ruched mini skirt, a letterman jacket stitched with Cain’s name, and patches that read “G” and “52” (Givenchy’s founding year). Givenchy’s creative director, Matthew M. Williams, told Vogue by email: “I’ve been a fan of Ethel’s music for a long time and that’s how we became friends. “We both love Americana, so for Coachella, I wanted to design a quintessential look just for her.

Toothless and Stitch apparently we're trouble when we are toget her who knew shirt

In many ways, this look is a sophisticated continuation and elevation of the Toothless and Stitch apparently we’re trouble when we are toget her who knew shirt moreover I love this cheerleader uniform Cain wore in the suburban-focused lo-fi image for “Teen America.” That look is deeply personal. Cain was wearing her mother’s old cheerleading uniform, which, according to the artist, she discovered one day “while rummaging through the closet”. Fashion was found and originated is how Cain, whose real name is Hayden Anhedönia, often assembles styles for his alternate selves. Prior to the release of Preacher’s Daughter, Cain described spending hours investigating Etsy and Pinterest about early 20th-century white dresses—a key motif of Preacher’s Daughter, imbued with Americana Southern Gothic sensibility. . Cain loves fashion that evokes a sense of history or past lives. So much so, the artist admits to occasionally take a bag or a brand new pair of shoes out and “smash it up a bit” to make them appear more alive. She describes herself as “not entirely a fan of fashion,” but her admiration for design and fashion history is profound—she talks excitedly about the shows. Former Yohji Yamamoto, referring to specific styles from specific collections. Cain also quickly found her niche in fashion—she appeared on the catwalks for Miu Miu and Eckhaus Latta. For Cain, who explores loaded themes like innovation, family dynamics, and self-creation through story-centered writing, fashion is the primary way to build her story.

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